In all our sanctuaries we sit at risk
  • High Noon is Nearly Upon Us. Where’s the Sheriff ?

    Around the world, the hoodlums and outlaws are running amok, in their suits of armour made of lies. By contrast, the sheriffs seem downcast, overwhelmed and on the run. I feel downcast and overwhelmed, too. Might it mean that I’m a sheriff, in disguise ? But there is no star in my cupboard.

    The picture I have, or image I’m struggling with at the moment, is that, to an extent that’s hard to fathom, we – as individuals and citizens – are like onions, or trees. We are each surrounded by many layers of growth, and to a significant degree, are made of them. Those layers can fairly be called our “culture,” the medium in which we live and move.

    We can be made to feel whole and solid by these layers and we function in the world through them. They are like layers of clothing but also of skin, and go deeper in even than that and often it’s hard to differentiate between them, and harder still to tell where we begin and they end. They support, hold, interpret, orientate and place us. They provide us with familiar landmarks, aspects of the self and the world we can recognise and feel at home in and part of, memories and echoes, traditions, forms and norms of behaviour and expression, regular seasonal events, formative and instructive experiences in our pasts, etc etc.

    And, in the present bewildering times and onrush of new worlds, layer upon layer of these formative aspects of our being have been made redundant, even flayed off, made unfit for purpose, useless as signposts, or sheltering structures, leaving us feeling bereft, undefended, diminished, raw, adrift and at sea, like immigrants in a country which keeps making us strangers.

    It’s as if we’ve been equipped with keys which no longer fit too many of the world’s locks. But many of us keep thinking and acting as if they are still relevant, or still what they once were. We seem incapable of doing otherwise. Perhaps it’s not surprising.

    I wrote the original of this piece as a message to a lifelong Roman Catholic with slightly Puritan rumblings in his belly. Perhaps for that reason, I refer at this point to Christ’s struggle with the Pharisees. That struggle was resolved on the Cross and represents a permanent tension in human life – that between the true and central informing principle, the “still point” at centre, and the various forms and interpretations of that still point, the laws and modes of behaviour out here on the surface of the “turning world.”  The principle informs the law which must then be written in human letters, the pharisees’ book of rules. But what then ? In the turning world, the letter may speak at first as a fair interpretation of the principle upon which it was based. But for how long ? And in a world turning faster and faster ?

    The pharisees were aghast that Christ “worked” on the Sabbath, for instance. But that is not the true meaning, or intention, of the Law, Christ answered. Over time, you have made nonsense of the principle. You have come to worship the merely outward form, the human letter of the law. In a sense, you have come to worship merely yourselves.

    The letter remains true for only a very short while and never more briefly than in our present time. So obey the letter for its short while, but never worship it. And on the surface of our turning world, keep reviewing and refreshing it, so that it remains a true expression and application of the central principle. Too easily the letter becomes a dead letter and hence a bringer of death. Not guidance through reality, but retreat from it, a false and dangerous, voracious god.

    But in these times of unprecedented rapidity of change ? How can you keep up ? How can the letter change fast enough ? How can consciousness stay alive to so much change ? On the contrary, the temptation is to hang onto the letter, or old forms now defunct, even tighter than ever, out of sheer fear and confusion.

    And in too many cases, it is the lesser or plainly wicked people who now climb on board these hollow, failing forms, blind to their own incapacity, or seeking to profit, in some way, from the degrading of standards. In the UK, Jeremy Corbyn is an example. He has been a disastrous choice and leader of the Labour Party. His own personal refuge and comfort zone, his hollow castle on a hill, was initially mistaken for a necessary and realistic “radicalism” ; his incapacity to inspire, to manage and to lead were misinterpreted as being “authentic” and “different from the others.” Johnson, of course, is another, but he belongs more to the wicked end of the spectrum, and is doing rather well out of it. But in these circumstances, what’s “doing well” ? As things stand for all of us now, even the hooligans will suffer if hooligans “do well.”

    At the time of writing, Jeremy Corbyn is about to stand down, deluding himself to the end, claiming that – despite Labour’s grievous loss at his hands – he and his gang of bumbling back-room in-fighters “won the argument.” And we are able to study, to some extent, the people competing to replace him as party leader. And we can follow their contorted attempts to speak words, find explanations, that might carry, that might fit, that might “cut it” with the membership. Does “cut it” mean speak true ? No, it seems to mean, find some facile slogan that will soothe people and make the sloganiser more popular than his/her rivals. As popular as Jez once was ?

    And the successful candidate will be the person judged most likely to be able to save the “Party” and bring it back to power. But to what extent is Party now a dead letter, just a support system and substitute family (highly dysfunctional) for its own members, a mere familiarity without real vitality or worth or currency ? I cannot help thinking that what these people are competing for is the right to mount a dead horse. The range, the running, the references of the horse in its prime no longer exist. And it is long dead, a collection of rags and frenzied maggots.

    What can a leader say that will inspire us, while sitting on the back of a dead horse full of maggots, with forests aflame in the background ? 

    We need to begin again, in this new, climactic world. We need to work again from first principle, from the still point at centre, where the dance is. Labour is dead. Perhaps the whole concept of Party is dead. Is even the Commons dead ?

    How best to serve the truth, and make good our polity, so that we can trust it again to arrive at decisions for the truly common good, decisions properly informed ?

    It may come down, if we are lucky, to a trusted Few, trusted because they are sane and sound, leading us, the Many, afflicted and wayward as we are, out of the desert, out of the valley of our shadow. To where the dance is.

    How and where do we begin ?  Are we capable ?  

    Footnote

    Lit. Ref. “At the still point of the turning world…there the dance is” ll 16/17, Part Two, Burnt Norton, Four Quartets, by TS Eliot.

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  • Toad and the Bong

    Some of the more ardent Tory Brexiters seem very exercised that, after all, Big Ben will not be breaking into song when the UK vacates the EU and seeks alternative residence in their delinquent yet decrepit Brexit wonderland.

    And the lying Mr Toad, our bouncy new Prime Minister, is coming up with ingenious plans to soothe them.

    Footnote

    We have a literary reference here : “The Spur” is a very short (four line) poem by W.B. Yeats. Line number four runs as follows: “What else have I to spur me into song ?”

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  • What is a Hyphen to do in 2020 ?

     

    There’s A and there’s B, but that’s not all. There’s also the connection between them. What is it ? They are sharing more than just the air. They were born to share more than just opposite sides of the same wall.

    A hyphen-line, a connecting scratch on the page, a fragile raft of some sort or other. Must it be a fault-line ? Or just a fleeting extra to the fatal reality of Me and Mine ?

    Or, on the contrary, is the mysterious line which connects one to another the only thing that really matters  ? And humanity’s only hope ?

    These ideas/images/questions stem from a book called “I and Thou” by Martin Buber. And the small charity I founded and run (called “Hyphen-21“) was inspired by that book, and the stand Buber takes on the centrality of the hyphen that truly connects me to Thee, me to all that’s outside of me. (The “21” belongs to our present century, of course).

    And every year, in the still period between the ending of one year and the starting of another, I have arranged for our accounts to be sent to Companies House and the Charity Commissioners ; and have written the annual report that for a while had to accompany the accounts, but now only needs to go to the charity’s Trustees as part of the accounting package.

    I enjoy the accounting, the looking back and appraising, the looking forward and exploring, the trying to make sense of, the charting of a course through.

    But what of this year ? What sense can I make of anything ? What sort of passage can a hyphen provide through a tempest, a plague, a flood ? What connections can be made to hold ?

    I decided to send out the usual report a bit more widely this time, beyond the Trustee circle. Would anyone make time to read it ? Would anyone have time enough to make some time ? And now I’ve decided to go one step further and  post it up here. It’s basically asking questions in general, rather than reporting in particular. Where have we got to ? What’s to be done ? The questions belong with all of us.

    When I began the report, the UK general election was about to take place. By the time I’d finished it, I already knew the result. Here is a link to the report.

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  • Poems for Public Display

    I never stop yearning for good poetry to reach past its traditional catchment areas – those shelves in the bookshop marked “Poetry,” the university literature department, the dedicated arts festival, the shy, solitary and possibly eccentric brain – and find a valid place for itself in the public square, the waiting room where we all have to sit at some point and take stock, the moment of true contact in a furious crowd, in these perpetually tumultuous times.

    But do I really mean that ? Would I be content if it really happened ? If life itself became a kind of permanent arts festival ? Is that what I mean ?

    I suspect I have made an image of the whole business. I think what I really mean is that there should be more truth about the place, more emotional honesty, more honesty and goodness and fullness of word, more wholeness of being. And how could anyone disagree with that ?

    And, rightly or wrongly, I see poetry as offering those things.

    I yearn for language to cease being just a sales technique, a cloaking mechanism, a means of control, a contrivance in the service of Me and Mine and the Lie ; to cease being used as an abuse and avoidance of the Truth when we need it to be a passage to, and serving of, the Truth ; to cease being used as a tool to work on people, when it is there for us as a reaching out to our neighbours, open-handed.

    But can poetry really supply all this healing Good ? Certainly not of itself. If you put a few words together and call that a “poem,” does it automatically become some kind of benevolent or even therapeutic magic spell ?

    Of course not. But the fact is that, from time to time, I do meet words that ring in my mind and spirit, by virtue of some kind of truth I recognise in them, and/or they recognise in me, and there is some kind of music about them which seems part of their truth, as if in and through their truth, they have found a music which author and I can both dance to.

    And then there’s a funeral and it’s clear that the person who has died was sincerely loved by those who attend. For there is wordless grief running through and hanging over everyone. And a need for adequate words. And the adequate poet is called on at that point, speaking from the same love. And the poet, from that place of genuineness of feeling, offers the words that are needed and can be shared by the community, giving due honour to the departed, to the angel and mystery of death and to the grief of those who remain. And suddenly the poet and the poet’s words have become essential, ministering to the needs of the moment, everyone’s need.

    Therefore, adequate, good-enough poetry can sometimes be an answer to a simple and essential human need, and is not merely some rarified extra, or ego performance. (And surely not to be wheeled out only in times of loss ?)

    A few months ago, I curated an exhibition of some poems from this project I run called “Poems for…the wall.”  The exhibition was held in Clifton Cathedral, a major Roman Catholic church designed and constructed in the late 1960’s and early 70’s in the architectural style of that time, sometimes called “brutalist.” I find it a remarkable building, an aid in itself to reverence and wonder, and in my opinion the poems looked lovely there.

    In fact, you might almost say that they found their true tongues there. The “brutalist” aspect of the building creates shapes and surroundings of a sort of raw essentialness. And in a way I cannot explain, the wood grain inscribed into the concrete surfaces as they dried, adds to the essentialness – a delicacy married to the massive, an organic complexity bound into the constructed simple.

    And in that setting, the poetry gave of its richness of language in a way that I don’t think I have ever experienced before. On seeing the exhibition for the first time, someone exclaimed that it was like seeing a present-day Book of Psalms open and revealed here, in a concerted cry of the nations.

    Some good photographs were taken of the exhibition, but it has taken me several months since then to find a way to project them adequately online. Now at last I have and, thanks to Google Photos, here is the link.

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  • A New Tale of Two Cities

    This is a fable. I wrote it some time ago but it still feels apt, perhaps more than ever.

     It comes from a set of essays called “Fables and Reflections.” For the full set, see the link in the right hand margin of this page. Under the heading “Poems and Prose Online or on Film”, it’s the 11th link on the list.

    This particular fable comparing two cities features a character called Jason. Jason became more prominent as the Fables accumulated. To a degree, he  became their source, their teller.

    In his never-ending search for the golden fleece, Jason featured as a kind of between-person. He belonged in the real world, but found no footing in it, either here nor there. So where ?  He slipped between frontiers, between garden fences (like a fox), between lines.

    The fable starts, inevitably, with a famous quote from WB Yeats :

    “The best lack all conviction, while the worst /Are full of passionate intensity.”

    Jason unnamed, Jason dis-mantled, lost in his time, having no place, climbed up on a rock and spoke to an Agora long deserted. Only green lizards and goldfinches heard him. He said this:

    Let us imagine Place A.

    Place A is made of illusion. Consequently it is strongly built. The walls are thick and tall. The roads are straight and tidy. The position is high up at the top of an isolated hill and consequently easily defended with its powerful weapons of illusion. The inhabitants of Place A feel sure of their security there. It is well governed (tidy streets) and it is safe (thick walls etc.). There are few taxes to pay. There are large luxurious shops where the fancy can be fed and tickled all day long. It is a good and comfortable place to live, a firm base, a safe harbour. Its only drawback is its untruth.

    Let us imagine Place B.

    Place B is made of fact and reality. Consequently its position is disastrously exposed to attack from all directions at all times and its inhabitants are constantly rushing to defend the walls. The walls are badly built due to weak management and constant argument. The weapons at the people’s disposal are thin reeds and badly written tracts printed on recycled paper. Place B is appallingly led, with dispute, cowardice, and hesitation the predominant features of its government. Morale in Place B is so low that the hospital doctors report dramatic increases in illness both physical and mental; and the police report equally dramatic increases in crime levels. There is a constant dribble of deserters to Place A. To live in Place B is like living on a raft in heavy seas.

    Let us imagine a great crisis threatens the planet upon which both places are situated – Planet AZ. Huge fissures have begun opening up all over the surface. It transpires that the mining required to build the walls of Place A have done real and irreparable damage to the planet’s inner structures.

    Furthermore, a plague of insects has been reported streaming towards the two cities and it has been established that the insects are a new race that has bred and multiplied on the artificial fertilisers used to feed Place A’s population and the insect horde has now exhausted its local food supplies.

    Furthermore war has broken out both on the planet and in outer space and the war has been caused by the extremes of poverty experienced by peoples far away who have been grossly exploited to keep the inhabitants of Place A in the manner to which they are accustomed. Various peoples are involved, the carnage is appalling and the weapons being used (sold to them by Place A) threaten the whole planet.

    Clearly, solutions have to be found in this emergency. New answers are needed. Old patterns have to be changed. A leadership must operate which inspires the noblest possible response from the inhabitants of the two cities and is able to focus and contain that response to the maximum possible effect. For, clearly, the best human skills have to be applied, new and unprecedented levels of co-operation, the wisest possible application of knowledge, understanding, strength and organisation.

    From which city would we expect that leadership, that level of response, chiefly to come? The firm but illusory base of Place A? Or the insecure but truth-facing raft of Place B ?

    My answer has always been that the solutions needed must inevitably come from the exposed position of fact and reality. Despite the chaos there, Place B contains people whom experience has trained to live skillfully with truth and insecurity without deserting to Place A. There is nowhere to build except upon fact and there are no builders you can trust except those skilled and practiced in handling and addressing fact with familiar affection and without anxiety . Therefore, the skills and experience upon which the planet’s future depends must reside in Place B.

    Afterword

    But nowadays, said Jason, I am in doubt of my initial conclusion. For is not the exposure to reality experienced by the people of Place B so debilitating that just existing there saps all available energy ? Perhaps just keeping your balance on the raft takes up all available hope and skill. For instance, it seems that the word “intuition” which for me describes an experience of fact, is used quite easily nowadays in the world of  science, which I fear I still tend to associate with Place A. On the other hand that word can no longer be used at all in the world of social work and social care, which I still – despite everything – associate with Place B. The reason that “intuition” has become taboo in social work and similar activities is that it does not seem “scientific” enough and cannot be measured “scientifically”.

    Perhaps, after all, it is people used to the comfort, security and illusory self-belief of Place A who will come up with the answers. It will be answers already known in Place B, but not propounded or practiced effectively there, due to the habitual confusion, timidity and exhaustion that runs through the place like the very cement with which it was built.

    Small children range far from a secure home, precisely because of its security. The more secure the base, so the more adventurous you feel you can be, and the further out you feel you can go, and the more solid and settled in yourself you feel. Remember to whom Shakespeare handed the crown of the future, after the death of old Lear : not to a prince from the facile new world, the new mentalities of the Renaissance, but to Edgar, a prince from Lear’s old tired and corrupt mediaeval world, a prince now purged and scoured by Lear’s own experience of purgatory on the heath, a man still based in the old solidities but made whole from them and renewed out of them. Only the broken can become whole.

    Perhaps, after all, the teachers, the leaders, the discoveries, the changes, the solutions, will come from the false but strong and firmly established position of Place A. Initially adventurous due to its security, initially strong due to its strength, they will survive and be made whole by the scouring, the mortification, the transformation that is now required of them in order to emerge in the doorway and lead us clear of our disasters.

    A lizard ran over Jason’s foot. A goldfinch twittered, sweetly as ever.

     

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  • Parrot’s in his Tower – and That’s All, Folks

    This stanza was written on the day after Mr Johnson’s election victory on December 12th, 2019. It will be the last stanza of “Parrot Addenda,” rounding off this series of 164 stanzas. It does not mean the Brexit story is over, of course. There’s plenty more to come. It just means that the situation is suddenly very different. The tension and doubts and possibilities that have existed since the 2016 referendum and Cameron’s resignation, are no longer present. And this Parrot’s way of telling the story has nothing more to add.

    I believe that, amongst much else, the story so far has been a win and reward for the Lie of which, of course, Johnson is a shameless, constant and largely unpunished practitioner. His election victory rewards him for his lies and is a portrait of this nation’s disarray and perhaps its despair.  The Lie is theft. It steals our language from us, it replaces clean air with foul. We are reliant on words to connect us to the truth and to the truth of each other. The Lie now running riot, led from Number Ten Downing Street, therefore spells ruin for our community.and for our democracy as presently configured and constituted.

    And it leaves the parrot with nothing further to say, no medium of truth to say it in. And he has been tiring of late, flying above the flood. There is no point flying on and on, even if it were possible.

    The tower he has found is the Tyndale Monument, an inspiration and sentry post for English honour and clean speaking, overlooking the Severn Estuary. At the top of it is a kind of cage.

    The parrot will feel at home there, and in the best of company, but always on high alert for a time when words come clean again. 

    Image result for tyndale monument

     

     

     

     

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  • The Casting of the Parrot’s Vote

    And this piece was written on election night, a second night of pause and waiting, with the chill moon again prominent and beautiful overhead.

    We walked home after casting our votes, our act tiny power, our tiny power of action. We had done what we could, and put our very sceptical crosses against the name of a decent man attached to a party that had already lost its way before choosing a grossly inadequate leader.

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  • The Parrot Looks Up at the Moon

    I wrote this stanza the night before the UK General Election on December 12th. In my part of the country, the moon was very clear that cold December night, and had been for several nights. If not full, then very nearly so.

    The electorate had a profoundly disheartening choice and a victory for the Progressives, or at least a position sufficient to restrain the fanatic Far Right and practitioners of the Lie, would still have been accompanied by a strong sense of trepidation.

    But still I found myself that night, under the moon, with a sneaking hope that somehow sanity would cobble something together, something reflective of the nation’s predicament and fine balance ; the election might even come up with something unexpected, inspirational, gladdening… 

    And there was the Toad, intent on serenading the Leaver half of the country. Here comes the sun, get it done, get it done. And all the time, his back was turned to the nation’s other half. Would that pay off ?

     

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